104 pp | Colour
22 x 17,6 cm
Photography arrests time but can as well capture the action of an already arrested time, i.e. a vacancy, a time immobilized even before it is captured, a dead time. The pictures of Portobello show us bodies in expected and satisfied poses, representations of a low cost popular culture, self-fictions of proletarian glamour. But they also show us places immobilized within town-planning and architectural projects whose expression refers more to the kind of organization and arrangement of a Luna park than to the construction of places to inhabit. Places to enjoy rather than places to live in.