Loaded Shine de Paulo Nozolino / STEIDL / 2018

Loaded Shine
Paulo Nozolino
48 pages / 20 images
21 x 29.7 cm
English
Tritone
Hardback / Clothbound
STEIDL, 2018

 

Taken between 2008 and 2013 in New York, Lisbon, Paris and Berlin as well as in the French and Portuguese countryside, these photographs by Paulo Nozolino bear his usual dark symbolic syntax. Still using 35mm film and occasionally a flash, this tight sequence of vertical pictures shows us, once again, his everlasting concern for the state of the world and his quest for the pure, true, non-manipulated analogic image.

Makulatur de Paulo Nozolino / STEIDL / 2011

Makulatur
Paulo Nozolino
18 x 26 cm / 22 pages
English
Hardback
STEIDL, 2011

 

Makulatur is an atmospheric and sincere response to the death of Nozolino’s parents. Using simple but powerful symbolism the photographs lead us on a dark journey through Nozolino’s relationship to his parents’ passing. Smashed and decrepit, burning and ripped, the subjects swell with nuance, providing an insight into Nozolino’s outlook on the destructive yet poetic nature of death.

Bone lonely de Paulo Nozolino  / STEIDL / 2011

Bone lonely
Paulo Nozolino
Text by Rui Baião
18 x 26 cm /  72 pages
English
Book / Hardcover
STEIDL, 2011

 

A suite of thirty-two photographs by Nozolino accompanied by thirty-two poems by Rui Baião, bone lonely is a meditation on one of the most intense yet simultaneously subtle human states: loneliness. “A man stands in the middle of destruction, feeling unbelievably lonely. He makes deaf images during his blind walks. Dwelling with thoughts about the loss in all conflicts, the feeling that all systems fail and the certainty that nothing lasts forever. He wonders what light shines in loneliness, what sounds come out of a moving body, what can fill the absence. He has no answers. He sees silent panic, he hears reports on people, he smells the mould, he feels the flesh aging and he tastes the drysaliva in his mouth. There seems to be no escape. He has a word pounding inside his head: resist, resist… bone lonely.”

Far Cry de Paulo Nozolino / STEIDL / 2005

Far Cry
Photographs by Paulo Nozolino
Texts by Ulrich Loock and Rui Nunes
136 pages / 24.8 x 32 cm
Hardback / Clothbound
English
STEIDL, 2005

 

Paulo Nozolino only makes black and white photographs and they are dominated by an impossible darkness that seems impenetrable to light. The photographs were made all over the world — notably in countries of the Arab world — but in the majority of cases it would be difficult to attribute a specific location to them. Photographs from Auschwitz are the decisive exception. Auschwitz appears as the absolute place and time that orientates everything else. In thirty years of a career as a photographer, Nozolino has constantly intensified his tragic vision of reality: this is visualised in pictures that originate from his own biography and travels; in pictures of men, women and children; in pictures of birth, love making and death. This publication assembles for the first time photographs from Nozolino’s different projects over the years, to form a new narrative, untold until now: the narrative of beginning and ending, and at the same time the narrative of his life’s work.

Paulo Nozolino was born in Lisbon in 1955, and lived in London and Paris before settling again in Portugal. He has published numerous books, many of his photographs of travels in Europe, the Middle East, and North and South America. The most well known of these are Penumbra (1996), including images made in Syria, Yemen, Jordan, Egypt and Mauritania, and Far Cry (2005).

BLUMEN                     Collier Schorr

Blumen by Collier Schorr
Steidl, 2010

Blumen is the second volume of Forest and Fields and moves away from the figure. Schorr decided instead to look for or build arrangements in the landscapes and domestic and commercial settings of her much investigated town. If people appear in Blumen, they are merely props in an examination of how objects and nature create dialogues within the communities they encompass. Flowers are uprooted so as to become performers in the landscape; signage, plums, chairs and a plaster fawn are some of the shapes of things moved and combined to further detail the daily life of the townspeople of Schwabish Gmund.

Chromes | William Eggleston


Chromes
William Eggleston

728 pages
Steidl, 2011

 

William Eggleston’s standing as one of the masters of colour photography is widely acknowledged. But the gradual steps by which he transformed from an unknown into a leading artist are less well known. Steidl has undertaken tot race these steps in an ambitious series of publications. Before Color (Steidl, 2010) explored Eggleston’s revelatory early black and white images, while Chromes is an edit of more than 5,000 Kodachromes and Ektachromes taken from ten chronologically ordered binders found in a safe in the Eggleston Artistc Trust. This archive had once been used by John Szarkowski who selected the forty-eight images printed in Eggleston’s seminal book William Eggleston’s Guide, while the rest of the archive has remained almost entirely unpublished. This book presents Eggleston’s early Memphis imagery, his testing of colour and compositional strategies, and the development towards the ‘poetic snapshot’. In short, Chromes shows a master in the making.

http://www.steidl.de/flycms/en/Books/Chromes/0919354257.html

Natural Habitats | Massimo Vitali


Natural Habitats
Massimo Vitali

300 pages
Hardback / Clothbound
Steidl, 2011

 

With this book Massimo Vitali extends the scope of his survey from beaches and discos to include skiing resorts and swimming pools from across the globe. His large-scale, color images apply a topographical clarity and wealth of detail to the rites and rituals of modern leisure.

Vitali’s experience of working with both still and moving images produces a mixture of recognition and unfamiliarity that shifts the image from documentary realism towards the surreal. In Vitali’s images figure and environment subtly cohabit the space of the picture, combining the minute detail of view camera photography and the fascination with the world of appearances and their uncertainty.

http://www.steidl.de/flycms/en/Books/Landscape-with-Figures/0410384950.html

Broken Manual | Alec Soth


Broken Manual
Alec Soth

68 pages
Steidl, 2010

 

Alec Soth was born in Minneapolis, Minnesota in 1969, where he still lives, works and teaches at the Minneapolis College of Art and Design. He has received fellowships from the McKnight and Jerome Foundations and was the recipient of the 2003 Santa Fe Prize for Photography. His photographs are in major public and private collections, including the Los Angeles County Museum, the Museum of Fine Arts Houston, and the Walker Art Center.

http://www.steidl.de/flycms/en/Artists/Alec-Soth/0003061854.html

A Shimmer of Possibility | Paul Graham


A Shimmer of Possibility
Paul Graham

376 pages | 167 colour plates
24.2 cm x 31.8 cm
12 cloth covered hardbacks
Limited edition of 1,000 sets
12 volumes
Steidl MACK, 2007

 

Inspired by Chekhov’s short stories, Paul Graham’s a shimmer of possibility comprises 12 individual books, each volume a photographic short story of everyday life in today’s America. Most of these books contain small sequences of images, such as a man smoking a cigarette while he waits for a bus in Las Vegas, or a walk down a street in Boston on an autumn afternoon. Often two, three or four sequences intertwine in a single book, like separate but related lives co-existing in suburban America. Sometimes the quiet narrative breaks unexpectedly into a sublime moment – while a couple carry their shopping home in Texas a small child dances with a plastic bag in a garden; as a man cuts the grass in Pittsburgh it begins to rain and the low sun breaks through to illuminate every raindrop. These filmic haikus avoid the forceful summation we usually find in photography, shunning any tidy packaging of the world into perfect images. Instead, life simply flows around and past us while we stand and stare, quietly astonished by its beauty and grace.

Whilst the twelve books are all an identical size, they vary in length from just a single photograph, to 60 pages of images made at one street intersection. The radical form of this multi volume book embraces the unique nature of Graham’s work, giving the flow of life precedence over conclusiveness, where nothing much happens, but nothing is foreclosed either, where everything shimmers with possibility.

http://www.mackbooks.co.uk/books/29-a-shimmer-of-possibility.html

Love Boras! | Lars Tunbjork


Love Boras!
Lars Tunbjork

168 pages
Hardback / Hardcover in slipcase
Steidl, 2007

 

I Love Borås is Lars Tunbjörk’s document of an aimless journey around Sweden between 1988 and 1995. Supermarkets, parties, small town streets, amusement parks, gas stations, TV-shows, landscapes, food. During that time Tunbjörk was working on his series Landet utom sig / Country Beside Itself, but these images were not used in that series because they didn’t fit, they were too ugly, too beautiful or too silly. Together they show a darker and more hysteric view of modern western society and Sweden during the economic recession of the early nineties.

http://www.steidl.de/flycms/en/Books/I-love-Boras/0129373851.html